tonyyoungblood

Rose au coeur violet © Maria Iancu

Tonight we bring you podcast episode 31, Ionize. This episode is a few days late because, as always, I’m a perfectionist when it comes to editing. Ionize was the 12th episode of the WRVU era, recorded on April 20th, 2008 live in the WRVU studios. This was a solo scoop & loop show, meaning, I made the show armed with two cd turntables, a looping pedal, and some effects. I recorded all of the samples from my brother’s Alesis Ion synthesizer he had just given me to sell. After he heard the episode, I’m proud to say he decided to keep it.

Ionize was originally just over an hour.  For this podcast, I edited it down to a much more solid 30 minutes.

There won’t be a Theatre Intangible next week, because I’ll be at the sci-fi, fantasy, and culture convention Dragoncon in Atlanta, Georgia, mostly lurking about the Skeptic, Science, and Podcasting tracks. Yay me! If you’re also attending, drop me a line at tony@theatreintangible.com. Stay tuned the week after for a brand new improv with members of the Nashville experimental folk band Lylas.

And without further ado, here’s Ionize.

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For the 30th Theatre Intangible podcast, we bring you Climax of the Dodo, the precipice between noise and melody, staring Brady Sharp on guitar, Matt Hamilton on guitar, Dylan Simon (Mass at Dawn) on Arp Odyssey synth and Echoplex, and Robert Carter (Bobobobobob) on Korg MS-20. I did the live mixing and threw in a little tremolo, reverb, and looping. We recorded this last night in the ~ORE~ studios. Enjoy.

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Open Lot continues to put on amazing last-minute shows, such as this one organized by Square People’s Chris Murray for the Washington D.C. band Hume. Don’t let Hume’s concert listing of 7pm at Little Hamilton fool you. Lil’ Hammy double booked a dance party, and now the goodness migrates to Open Lot. Here’s the deets:

Open Lot, Friday the 13th, August 2010, 9pm, donations encouraged for touring band
Hume
Square People Jazz Maturity
Charlie Rauh
Hepatitties

Betty’s has quite an amazing August schedule of performances. Highlights include instrument-maker Mr. Natural, Forest Bride’s Amy Marcantel, Hobbledeions, Cherry Blossoms, and much more. I will do everything in my power to make it there tomorrow in time to catch Mr. Natural, directly after attending the 48 Film Festival premiere. (Read about my group’s entry here.)

Here’s the rundown:

weds11 dave phillips(switzerland), mr.natural, god willing, unicorn hard on, michael ryan(atlanta) $5-$7
fri 13 melissa mathes, doctor black, shane tutmarc $3-$5
sat aug 14 bettys summer music fest
featuring:
laundry room squelchers (miami)
skeleton warrior(fl)
boga(fl)
amy marcantel
sugar skulls
malocchio
hands off cuba
lazer slut
unicorn hard on
god willing
high on life
hobbledeions
shleppin
no compassion
cherry blossoms

all sets 15 mins starts at 7pm-2am $3-$5 donations for florida bands

weds 18-superstar karaoke with chris aubrey and jack skeen
thurs 19 levee drivers(phila), 9-11 pilots, lylas, mark macminn $3-$5
fri aug 27- work/death (providence), pharmakon, cowards and more tba $3-$5

I’m very excited about this Open Lot show tonight, featuring improv masters Audrey Chen and Luca Marini and T.I. contributors Cultural Reflex Dance (Charlie Rauh and Ezzie Harrold).

Here’s the Open Lot press release:

Kamama in Cherokee means both elephant and butterfly. There is no overlap in meaning other than the supposed resemblance of the long trunk and flapping ears to the proboscis and wings of that insect. This duo loosely embodies elements of this kind of disparate pairing. Chen and Marini combine the raw energies resultant from and continuously growing out of their respective histories and experiences. Since their first encounter early this year in 2010, they have been forming a new language which steadily deepens, evolves, converges and exposes their inherent similarities and striking differences. It is ecstatic music. it is contrary music. and at times, they depart completely from one another as two distinct creatures, but then are drawn back into the fold of an undeniable tenderness and comprehension.

Using the cello, voice and analog electronics, AUDREY CHEN’s work delves deeply into her own version of narrative and non-linear storytelling. A large component of her music is improvised and her approach to this is extremely personal and visceral. Her playing explores the combination and layering of a homemade analog synthesizer, preparations and traditional and extended techniques in both the voice and cello. She works to join these elements into a singular ecstatic personal language.
Chen has performed in Europe, Russia, Australia, New Zealand, China, Japan, Taiwan, Canada and the USA. She is currently based in Baltimore, MD USA but primarily maintains an active touring schedule throughout Europe.

LUCA MARINI is a German/Italian drummer who mostly grew up in France and is now based in New York (USA). After studying jazz and improvised music at various conservatories and music colleges in Europe and North America he developed his own language and approach to percussion while living in Berlin (D).
Marini performed and toured in Europe and North America playing improvised music, jazz, rock and electronic music with bands and artists like the GRIPI collective, SONIDO13, INEZEBA, Spyros Manesis trio, Nicolas Masson, Roberto Pianca, Tom Blancarte, and Natalio Sued.
CULTURAL REFLEX DANCE (Charlie Rauh + Megan Harrold)

Cultural Reflex Dance is an ongoing music and dance collaboration between jazz guitarist Charlie Rauh and dancer Megan Harrold. Rauh and Harrold create a dialogue of absolute immediacy. The two performers use preconceived translation systems that define the piece and dictate how they talk to each other onstage.
For video go to http://www.myspace.com/culturalreflex/videos

This event occurs at Open Lot Nashville. Admission is $10 at the door. Beer and wine will be served with ID.

CMKT4 in the Theatre Intangible Studios

You may remember CMKT4 — circuit-bent rock ‘n roll trio, GetLoFi writers, makers of the bottlecap contact mic, and members of the greater Chicago circuit-bending collective — from podcast 23, Artificial. While in Nashville, they were kind enough to come on T.I. again for an artist showcase. On episode 29, hear CMKT4 play their brand of off-kilter rock ‘n roll while discussing their 2010 tour, circuit-bending, and Abby the Spoon Lady. They even give us a live demonstration of the bottlecap contact mic. Although they use home-made and circuit-bending instruments, CMKT4 is really a rock ‘n roll and thus falls a bit outside the scope of T.I. Still, the deviation is quite worth it. Hope you enjoy!

I apologize for the clipped-vocals in some sections — with three vocalists, drums, bass, guitar, and a multitude of toys, we had to bring in a second mixer that I was unfamiliar with. To keep the duration under 45 minutes, I had to cut 2 songs; but you can download the concert in it’s entirety by following this link.

Check out CMT4′s video tour diary by visiting Creme Dementia’s Vimeo page.

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